> For the complete documentation index, see [llms.txt](https://docs.creativeconners.com/docs/llms.txt). Markdown versions of documentation pages are available by appending `.md` to page URLs; this page is available as [Markdown](https://docs.creativeconners.com/docs/machinery/turntable-template.md).
# Turntable Template
## Getting Started
Congratulations on using this turntable design from Creative Conners, Inc. This design is the third and final part of our turntable system, the other parts being the **Revolver** and the **Pivot**. This template turntable design of CNC cut plywood parts is just what you need to elegantly spin scenery and performers around your stage.This manual will direct you through:
1. Bill of Materials and Part Sourcing
2. Fabrication
3. Installation and Testing.
If you need help along the way contact either on our website ([www.creativeconners.com](http://www.creativeconners.com)), via email (), or by phone (401-289-2942 x2).
## A Word About Safety
This turntable design works seamlessly with Creative Conners’ **Revolver**, **Pivot**, and **Spikemark** to help you spin scenery and performers with ease. As with any machine, proper safety precautions should always be observed when installing and operating this turntable and a **Revolver**. Turntables present unique safety hazards compared to other stage equipment. Since turntables are often installed flush to the show floor, stepping on or off a moving turntable can be dangerous and a common source of falls. The safest way to avoid falls is to step on or off the turntable only when it is stopped. Stepping on or off a turntable while it is moving is very risky and represents a serious potential for injury. During installation or removal, do not wear loose fitting clothing or jewelry, tie hair back and be mindful of the moving parts. Before working on the turntable be sure to press an E-Stop button, remove power to the **Revolver,** or disconnect the E-Stop cable from the **Stagehand** to ensure the machine will not move.If your set has elements that are affixed to the turntable, and elements that are affixed to the stationary portion of the stage, there is a risk of crushing people or scenery between the moving elements and the stationary elements. Make certain that performers and crew are aware of the danger and trained to avoid all pinch points.
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